in memoriam
My favorite moment of that film.
Some random girl who observed my speaking mannerisms, the way I use my whole body to tell a story, suggested that I do a silent film someday. And maybe she just wanted me to shut the hell up, but honestly, the idea's held a lot of appeal. Even if modern-day silent movies haven't worked out so well for Mel Brooks or Jackie Gleason (has anyone actually seen GIDOT? I long to track it down someday).
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(See what I did there?)
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The obituary on aintitcool.com was blank.
And heya, when your pile goes down a little bit, mind if I also send you by some of the revised Gilda-centric chapters for your reactions? So I can get a second opinion besides Bloo's?
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I will get to them, I promise. It's just that I seem to have acquired a social life rather suddenly. That, and I'm hip-deep in a fabulous comic project. With watercolours. Terrifying, terrifying watercolours.
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Yeah, oil pretends it's all badass, but it's a big pushover, really. You gotta watch out for watercolour, though. It's always the quiet ones.
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Seriously, though, if you haven't gotten to the Two-Face stuff yet... well heck, then hold off until I send you the Gilda stuff, and you can backtrack a bit. I imagine you'll be able to keep up.
And your assessment of oil vs. watercolo(u)r amuses me greatly. I'll need to tell my artsy brother that one.
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There. I said it.
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I'm not a fan by and large either. But I respect him as a performer, and really, I just wanted an excuse to post that scene. SILENT MOVIE was a well-intentioned and admirable effort by Brooks, but ultimately rather forgettable, save for that scene.
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I just happen to dislike most of the genre. Though I really can't articulate as to why--