First of all, has anyone here other than Balog heard of the bands The Magnetic Fields or the frontman's other band, the 6ths? And if so, why the hell didn't anyone tell me?
The 6ths especially, and especially the first three songs from thier album Hyancinths and Thistles. "As You Turn to Go." "Give me Back my Dreams." And the Leonard Cohen-esque "He Didn't." Give 'em a listen if you can. Really great stuff. Beautiful indie rock, although "rock" seems like kind of strong word. Is Ben Folds rock? Rufus Wainwright? Probably too twangy to be emo, so it appears I'm still not that far gone yet.
Also, there are two more movie scores I need to track down. The X-Files' Mark Snow's soundtrack for "Disturbing Behavior." I caught the movie on TV the other day, basically "The Stepford Dawsons." But the soundtrack, Snow's trademark errie soundscapes, and that pulse-pounding theme all convinced me that I must own this.
Also, "The Beach," by David Lynch's right-hand-man, Angelo Badalamenti. Badalamenti is really (IMO) responsible for giving Lynch's disturbing films their sense of otherworldly wonder and beauty, and it seems to be the case with this much maligned DiCaprio movie as well. I'll have to check it out sometime. But yeah, Badalamenti is gorgeous, and if I ever make my likeable serial killer movie, he'll be the one to do the score.
Finally, spurred on by "Family Guy" reruns, I've been listening to the "My Fair Lady" soundtrack. Especially the men's songs, so I can sing along. Rex Harrison and Alfie Doolittle and poor sweet stupid Freddie. There really is no bad song in that entire show, and it is beyond me how anyone, even Shaw purists, can hate it. I love the movie, dubious dubbing and all, and I loved the London production I saw. Still, even this soundtrack is not without its hazards. I've found myself singing a certain song that comes at the very end and was revitalized by baby Stewie's perfect interpretation.
Must play Higgins someday. Will almost certainly be cast as Freddie, but must play Henry Higgins someday.
The 6ths especially, and especially the first three songs from thier album Hyancinths and Thistles. "As You Turn to Go." "Give me Back my Dreams." And the Leonard Cohen-esque "He Didn't." Give 'em a listen if you can. Really great stuff. Beautiful indie rock, although "rock" seems like kind of strong word. Is Ben Folds rock? Rufus Wainwright? Probably too twangy to be emo, so it appears I'm still not that far gone yet.
Also, there are two more movie scores I need to track down. The X-Files' Mark Snow's soundtrack for "Disturbing Behavior." I caught the movie on TV the other day, basically "The Stepford Dawsons." But the soundtrack, Snow's trademark errie soundscapes, and that pulse-pounding theme all convinced me that I must own this.
Also, "The Beach," by David Lynch's right-hand-man, Angelo Badalamenti. Badalamenti is really (IMO) responsible for giving Lynch's disturbing films their sense of otherworldly wonder and beauty, and it seems to be the case with this much maligned DiCaprio movie as well. I'll have to check it out sometime. But yeah, Badalamenti is gorgeous, and if I ever make my likeable serial killer movie, he'll be the one to do the score.
Finally, spurred on by "Family Guy" reruns, I've been listening to the "My Fair Lady" soundtrack. Especially the men's songs, so I can sing along. Rex Harrison and Alfie Doolittle and poor sweet stupid Freddie. There really is no bad song in that entire show, and it is beyond me how anyone, even Shaw purists, can hate it. I love the movie, dubious dubbing and all, and I loved the London production I saw. Still, even this soundtrack is not without its hazards. I've found myself singing a certain song that comes at the very end and was revitalized by baby Stewie's perfect interpretation.
Must play Higgins someday. Will almost certainly be cast as Freddie, but must play Henry Higgins someday.