INTO THE WILD non-review
Jan. 11th, 2008 11:40 amSo I saw INTO THE WILD last night.
I still can't quite decide whether or not Christopher/Alexander was a self-righteous judgmental douchebag, perhaps another Timothy "Grizzly Man" Treadwell (and even if he was, if that takes away from the film or not), nor do I know how much Sean Penn honestly wanted to romanticize and mythologize the kid, or if the film's manipulative nature (aren't they all manipulative, though?) was good or bad... and ultimately, I don't know how much I'm supposedly to separate the film from the person, because I'm honestly not certain how I feel about either.
Although I'm leaning towards positive for the latter and negative towards the former. Yes, it's admirable to not let others define your life, that there are alternatives, that the way to happiness doesn't have to be in a suit and tie or tied to a career or to success. That happiness is in the world around you and the people living in it, and the love you have for them and they have for you. He certainly could be viewed as an inspirational model for that.
At the same time, I kinda want to make an Alexander Supertramp macro: "UR DOIN IT RONG."
But I dunno, I still haven't made up my mind yet.
What I do know is that I wish Werner Herzog just wandered into the film and gave McCandless a softly poetic German bitchslap.
the_mithril_man had a good point when he suggested Herzog do a RiffTrax commentary on INTO THE WILD. I'd so pay to hear that.
"The boy is a suicidal fool, and I wish I could reach into the screen and tell him so, but I know too well that I cannot. The only common character of the universe is not harmony, but hostility, chaos and murder. Nature is brutal. Nature is indifferent. Nature will swallow you whole and destroy you without a second thought. On the other hand, Hal Holbrook was pretty good."
I still can't quite decide whether or not Christopher/Alexander was a self-righteous judgmental douchebag, perhaps another Timothy "Grizzly Man" Treadwell (and even if he was, if that takes away from the film or not), nor do I know how much Sean Penn honestly wanted to romanticize and mythologize the kid, or if the film's manipulative nature (aren't they all manipulative, though?) was good or bad... and ultimately, I don't know how much I'm supposedly to separate the film from the person, because I'm honestly not certain how I feel about either.
Although I'm leaning towards positive for the latter and negative towards the former. Yes, it's admirable to not let others define your life, that there are alternatives, that the way to happiness doesn't have to be in a suit and tie or tied to a career or to success. That happiness is in the world around you and the people living in it, and the love you have for them and they have for you. He certainly could be viewed as an inspirational model for that.
At the same time, I kinda want to make an Alexander Supertramp macro: "UR DOIN IT RONG."
But I dunno, I still haven't made up my mind yet.
What I do know is that I wish Werner Herzog just wandered into the film and gave McCandless a softly poetic German bitchslap.
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"The boy is a suicidal fool, and I wish I could reach into the screen and tell him so, but I know too well that I cannot. The only common character of the universe is not harmony, but hostility, chaos and murder. Nature is brutal. Nature is indifferent. Nature will swallow you whole and destroy you without a second thought. On the other hand, Hal Holbrook was pretty good."