NIGHTWING: THE GREAT LEAP is beloved story by pretty much everyone. And I can understand why, if you're a Nightwing fan. Me, I like Grayson all right, but obviously, my focus on THE GREAT LEAP was Two-Face and only Two-Face. And appropriately enough, I am very torn on how Tomasi used Harvey in this story.
This was Harvey's first major appearance since he was so clumsily rescarred and recrazied in FACE THE FACE, which was itself his first major in-canon appearance since HUSH four years earlier (I sure as hell ignore the beautifully-drawn crapfest that was BATMAN: JEKYLL AND HYDE). His appearance in NIGHTWING served as a tie-in to THE DARK KNIGHT, and aspects of the Aaron Eckhart Two-Face are used throughout THE GREAT LEAP.
And for the most part, it's a pretty excellent take on Two-Face. At several points, it's one of the most refreshing and exciting depictions of Harvey Dent. So why would I have any problem with THE GREAT LEAP, if it's a generally-solid tale?
To answer the question, I present my edit of this story, focusing almost
entirely on Harvey's arc, with pretty much all of the Nightwing stuff cut out. The original story as presented is Nightwing vs. Harvey "Crazypants" Dent. But that's not how I read the story. To me, it was "Harvey Dent vs. Harvey Dent (with Nightwing and a Rachel Dawes substitute in the mix.)"
Ultimately, it's a matter of perspective.
( That's really the question, isn't it? What do YOU see? )Honestly, if I'd call bullshit on anything, it'd be the retconned inclusion of Carol into Harvey's past, and the emotional affair they had. Hell no. Vow or not, I reject the thought that Harvey loved anyone more than Gilda, his sole lifeline relationship to humanity.
So for me, I see no more fitting note to end on than a reminder of that love, which I (relevantly enough!) commissioned from Rags Morales at New York Comic Con last February:

Now
that's the only person who can break up the one-man OTP that is Harvey Dent.