On the good news, I managed to squeeze in an appointment with a super-fancy and awesome photographer (the same guy who's done simply brilliant work for
cavenessity for the past few years) so that I can actually have some great pics for HEFNER MONOLOGUES promotional material/website/myspace/flyers/etc for the next couple years.
On the bad news, I just realized, in all my rushing-around, that I was supposed to send the Fringe my technical information by the 16th. Shit. Between FAUSTUS, work, writing the HM script, class at Studio Theatre, and being my father's personal assistant, sending in the technical rider just got totally lost in the shuffle. I just sent it in now, and they will hopefully forgive me, as I basically use nothing in the way of special effects, needs, or set. I just seriously fucking hope that I haven't inconvenienced them or screwed myself. To think, the Hefner Monologues getting sunk due to a technicality. Ugh!
The script itself is proving to be as troublesome as any script should. I'm now thinking that it would indeed be better if I had half the show be a condensed version of the Tammy story, while the other half should be about finding my identity. But can I get it all in? Can I sell the meltdown of the Tammy situation without going in full detail about stuff like Soldier Boy, or will I just come off as a freaky obsessive or something, just as I've always feared? Bloody hell.
I *can* come up with a great show. I've got more than enough material to make it (which is how I've managed to write an entire frickin' book), the problem is just condensing enough good material into a show that has a real point. All the answers I need are right in front of me. I just need to crack down and make it work. And it will.
I know I should worry more about getting the show in order before I go all-out and get glamour shots, but the Fringe requires promotional photos by May 18th. Assuming, of course, I haven't screwed up with the Fringe for not sending in the technical rider. I shouldn't worry, it's probably fine, but... it said "REQUIRE" in big bold letters!
... I miss being stoned out of my brain after the endoscopy Monday. Can I get some more of that, please?
On the bad news, I just realized, in all my rushing-around, that I was supposed to send the Fringe my technical information by the 16th. Shit. Between FAUSTUS, work, writing the HM script, class at Studio Theatre, and being my father's personal assistant, sending in the technical rider just got totally lost in the shuffle. I just sent it in now, and they will hopefully forgive me, as I basically use nothing in the way of special effects, needs, or set. I just seriously fucking hope that I haven't inconvenienced them or screwed myself. To think, the Hefner Monologues getting sunk due to a technicality. Ugh!
The script itself is proving to be as troublesome as any script should. I'm now thinking that it would indeed be better if I had half the show be a condensed version of the Tammy story, while the other half should be about finding my identity. But can I get it all in? Can I sell the meltdown of the Tammy situation without going in full detail about stuff like Soldier Boy, or will I just come off as a freaky obsessive or something, just as I've always feared? Bloody hell.
I *can* come up with a great show. I've got more than enough material to make it (which is how I've managed to write an entire frickin' book), the problem is just condensing enough good material into a show that has a real point. All the answers I need are right in front of me. I just need to crack down and make it work. And it will.
I know I should worry more about getting the show in order before I go all-out and get glamour shots, but the Fringe requires promotional photos by May 18th. Assuming, of course, I haven't screwed up with the Fringe for not sending in the technical rider. I shouldn't worry, it's probably fine, but... it said "REQUIRE" in big bold letters!
... I miss being stoned out of my brain after the endoscopy Monday. Can I get some more of that, please?
no subject
Date: 2007-04-25 07:13 pm (UTC)Don't feel guilty btw, it's kinda like going to a specialist... Roy's promotional photography is his strong point (fashion too, but not as much on headshots). Just don't be afraid to tell him exactly what you're looking for, and what you're not.
Good luck getting Fringe squared away! Can't wait to see the shoot results. When he sends you the billion photos to pick from, if you need another eye on 'em, let me know.
no subject
Date: 2007-04-26 04:01 am (UTC)Yeah, that really does seem to be Roy's strength. My other guy will still be my go-to guy for headshots (or, like, if I wanna have photos taken of me and some future girlfriend; he's great with people stuff).
I'll definitely post a bunch here, rest assured! I will very, very, VERY much want your input! Thankee!
no subject
Date: 2007-04-25 09:33 pm (UTC)no subject
Date: 2007-04-26 03:50 am (UTC)It's a real shame too; your level-headedness under pressure (Stage Manager Fu) would be exceedingly appreciated right about now. But it's completely and totally understood.
no subject
Date: 2007-04-26 02:41 pm (UTC)no subject
Date: 2007-05-09 02:03 pm (UTC)no subject
Date: 2007-05-09 02:15 pm (UTC)no subject
Date: 2007-05-10 01:41 pm (UTC)