Notice to anyone who is reading or has read my Harvey Dent novel so far: I'm going to majorly restructure the second half. Which is to say, pretty much everything post-acid.
Because I realized that, to a certain extent, I was guilty of doing what I accused THE DARK KNIGHT of doing. Namely, having him go too crazy too quickly. I lost sight of my own goal in this depiction of Harvey, that it was no single event which pushed him over the edge, no single moment where his sanity crossed the line.
I disagree with TDK's assessment that "madness is like gravity: all it takes is a little push." It's too simplistic. There needs to be something already there before the breaking incident, and even with Harvey's history, I think it's much more important and meaningful that his downfall not be a single moment, or even a handful of moments, but rather an accumulation of events over time.
So my goal now is to rework the book's arc post-acid so that it does continue to accumulate, that just because half his face is burned off doesn't mean he automatically turns into a monster, or even a mobster. I've already started tweaking, and even the little bit I've done feels worlds better.
I made the mistake of taking this book into full-blown Two-Face territory mid-way through, when the only place for that in DENT is at the very end. When everything really *is* lost. Until then, I need to go back and add the rest of the layers that'll eventually crush the poor guy.
So yeah. If you're currently reading (or have already read) the book, know that everything after the acid is gonna be reworked in a rather major way. Let me know if you'd want to read it when the draft is done.
Because I realized that, to a certain extent, I was guilty of doing what I accused THE DARK KNIGHT of doing. Namely, having him go too crazy too quickly. I lost sight of my own goal in this depiction of Harvey, that it was no single event which pushed him over the edge, no single moment where his sanity crossed the line.
I disagree with TDK's assessment that "madness is like gravity: all it takes is a little push." It's too simplistic. There needs to be something already there before the breaking incident, and even with Harvey's history, I think it's much more important and meaningful that his downfall not be a single moment, or even a handful of moments, but rather an accumulation of events over time.
So my goal now is to rework the book's arc post-acid so that it does continue to accumulate, that just because half his face is burned off doesn't mean he automatically turns into a monster, or even a mobster. I've already started tweaking, and even the little bit I've done feels worlds better.
I made the mistake of taking this book into full-blown Two-Face territory mid-way through, when the only place for that in DENT is at the very end. When everything really *is* lost. Until then, I need to go back and add the rest of the layers that'll eventually crush the poor guy.
So yeah. If you're currently reading (or have already read) the book, know that everything after the acid is gonna be reworked in a rather major way. Let me know if you'd want to read it when the draft is done.
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Date: 2009-04-22 04:57 am (UTC)no subject
Date: 2009-04-22 05:24 am (UTC)no subject
Date: 2009-04-22 05:30 am (UTC)no subject
Date: 2009-04-22 02:24 pm (UTC)I do want to confirm with you that I think that you did a really good job of building up the pressure on Harvey to the day of the Maroni trial - it was believable torture on the poor guy, and my first thought was that those stresses might be enough to push Harvey into insanity (he's holding on so damned hard). But I'm also rather tender-hearted on poor Harv- a lot more so than the writers at DC, so maybe the story does need more heartbreak before Harv breaks.
I might suggest in passing, that you look at the situation of how the named "Two-Face" starts to stick to Harv, tho. As I recall, you wrote him as not really *caring* that much about Two-Face, that it was just a name people called him and as long as they didn't call him Harvey, it was all the same to him. It seemed.... a little off. It always seemed to me that DC villains, particularly the twisted ones in Batman, always seemed to embrace their criminal identity to the exclusion of the old one; they were remaking themselves in a new image with a purpose. (Think of Joker and those playing cards, for one.)
With Harv, I'm not sure if that's a tradition you'd want to follow, or deliberately subvert. He seems to fall into the role of the villain sometimes without any thought, stuck with following the coin however it goes, but then again, that's part of his insanity- he wants to not have to choose. Having the name and identity come to him might work with that, or it might not.
Gah, I feel like I need quotes to back this up better, and it's been waaay to long for me to make this kind of analysis without the page in front of me, but I wonder if you have thoughts on the idea.
And, on a another note, if you find yourself with some free time (HA!) to read something, I would recommend Jim Butcher's THE DRESDEN FILES. It features Harry Dresden- you can find his number in the Chicago phone book. Under "Wizards".
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Date: 2009-04-22 03:04 pm (UTC)no subject
Date: 2009-04-22 05:02 pm (UTC)no subject
Date: 2009-04-22 05:05 pm (UTC)no subject
Date: 2009-04-22 03:25 pm (UTC)no subject
Date: 2009-04-22 05:01 pm (UTC)no subject
Date: 2009-04-22 04:35 pm (UTC)I want to actually have him build up to the Falcone Massacre this way (I'm losing Rupert Thorne almost entirely, and did your version have Carl Grissom too? Yeah, he's also gone. It becomes all about Falcone after the acid), have him try to save the East End through blackmail and extortion, and little by little show the cracks and compromises as he goes from still genuinely wanting to helping Gotham to his own rage and disillusionment taking over as it all crumbles around him. I think the difference now is that Harvey sees himself slipping into the role of villain, and is constantly making excuses for it (it's for the greater good, we can still help them, it's all what the coin says) all the way up to his breakdown.
Since the draft you have, I actually went and took out all the "Two-Face"'s, just having him be two Harvey Dents. I couldn't help but wince every time I wrote the name Two-Face, it always felt corny and forced to me. But now, considering that I'm thinking of having the gangster life be almost thrust upon Harvey (instead of him just jumping at it), there might yet be a use for having him branded with such a moniker.
Aye, several of my friends seem to be DRESDEN fans! I should check him out, even if the concept makes me feel like he's a bit of a John Constantine rip. Is he not?
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Date: 2009-04-22 05:00 pm (UTC)I can't say for sure on the Constantine-rip angle, having read almost nothing of him. In tone, I think there is a difference- most of the Constantine I've seen has been very dark and morally ambiguous. Dresden is snarky and obnoxious more than depressing, and he's *good*. Just down to his socks, he's a good decent loyal guy. He's also so chivalrous that it's a gaping hole in his defense, and he knows it, and can't fix it- the man cannot stand to hit a girl, even if said girl is a vampire who could rip him in half without breaking a sweat.
As a character, I just really like Harry. He's snarky, he acts like a cynic and then rushes in headlong to save his friends knowing he's going to get his ass killed, he doesn't get laid for four years because he can't get over his old girlfriend, he's pissed off at the Powers-That-Be for putting the status quo over what's right.... and he's based out of Chicago, where I will soon live.
But if there is one reason to read this series that encapsulates all that is awesome about Harry Dresden, it is this:
HE RIDES A ZOMBIE TYRANOSAUR INTO BATTLE AGAINST THE UNDEAD.
Need I say more?
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Date: 2009-04-22 10:51 pm (UTC)Re. Dresden Files: fairly fun, but not, in my opinion, the best thing since sliced bread. Still, worth a read.
I actually highly enjoyed the show. I saw it first, then read the books, and liked the changes that they had made for the TV version.
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Date: 2009-04-22 10:36 pm (UTC)no subject
Date: 2009-04-23 01:04 am (UTC)no subject
Date: 2009-04-23 01:24 am (UTC)no subject
Date: 2009-04-23 05:39 am (UTC)Please put me on the list to read the whole thing once complete. I really enjoyed the snippet you posted a while ago (where is the time going?)
Glad you are finally putting out there in one form or another. The danger is that you could get hung up on editing and re-editing. Letting some people read the latest draft is a good way of limiting that.
Anyway Yay for Hef!!
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Date: 2009-04-23 01:48 pm (UTC)no subject
Date: 2009-04-23 05:36 pm (UTC)I'D LIKE TO READ, PLEASE
Date: 2009-09-19 11:01 pm (UTC)(Y'know, I never noticed before, that assessment you made about your novel--I'll have to look it over again and see if I agree, 'cause it did feel like an accumulation of events leading up to his downfall then.)