Few things bug me quite like missed opportunities. Stories that could have been brilliant, but due to a flaw or two, are rendered merely mediocre.
Ever read a story you wish you could rewrite? A story with awesome potential that's undone by fatal flaws? I have a couple. GANGS OF NEW YORK, for example, should have been purely about the struggle between Bill (Daniel Day-Lewis) and Priest (Liam Neeson), who was far more interesting in five minutes than DiCaprio and Diaz were the whole film.
But have you ever read a story that could have been vastly improved if they used a different character?
Here's what I mean. Take Matt Wagner's BATMAN: FACES for example:

In this story, a strangely theatrical and purple-prosed Two-Face kills off plastic surgeons, gets together a gang of circus freaks, and steals a blimp to take them all to a private island where disfigured people can have their own utopia.
Yeah. Doesn't really sound like the sort of thing Harvey would pull, does it? But imagine if Wagner used this guy instead:

Holy hell, not only would that have fit so much better, but it could have given poor Ozzie Cobblepot a much-needed awesome story! Because the Penguin is one of the most iconic Batman villains, and yet nobody seems to know what to do with him! Name me a brilliant Penguin story. It's hard, isn't it? That's not because he's a bad character by any stretch, as many fools mistakenly think.
The problem is, no one seems to write him consistently. Too many make him an ugly thug, a crass, nasty little wannabe Kingpin, when at best, the Penguin should be a master manipulator, a grandly theatrical criminal, capable of incredible cruelty but never losing his impeccable dapperness. But underneath it all is a deeply insecure little man who still burns with rage at the "slings and arrows of outrageous youth," one who would dearly love to strike back at the "beauty merchants" (as Two-Face called the in FACES) and create a place of peace for people like him.
Because Harvey's insecurity and vanity doesn't run nearly so deep as the Penguin's. And what a tragedy it would be for poor Ozzie, to say those climactic last lines to one of the disfigured men: "You cannot have a normal life! You're a freak! A freak!!!"
And how cutting it would be for him to simply hear, "But I am not a monster."
See? Would've been brilliant. But no, instead you have a story that wastes both Two-Face in a misused role and deprives the Penguin from an unusually fine story. Sigh.
Ever read a story you wish you could rewrite? A story with awesome potential that's undone by fatal flaws? I have a couple. GANGS OF NEW YORK, for example, should have been purely about the struggle between Bill (Daniel Day-Lewis) and Priest (Liam Neeson), who was far more interesting in five minutes than DiCaprio and Diaz were the whole film.
But have you ever read a story that could have been vastly improved if they used a different character?
Here's what I mean. Take Matt Wagner's BATMAN: FACES for example:

In this story, a strangely theatrical and purple-prosed Two-Face kills off plastic surgeons, gets together a gang of circus freaks, and steals a blimp to take them all to a private island where disfigured people can have their own utopia.
Yeah. Doesn't really sound like the sort of thing Harvey would pull, does it? But imagine if Wagner used this guy instead:

Holy hell, not only would that have fit so much better, but it could have given poor Ozzie Cobblepot a much-needed awesome story! Because the Penguin is one of the most iconic Batman villains, and yet nobody seems to know what to do with him! Name me a brilliant Penguin story. It's hard, isn't it? That's not because he's a bad character by any stretch, as many fools mistakenly think.
The problem is, no one seems to write him consistently. Too many make him an ugly thug, a crass, nasty little wannabe Kingpin, when at best, the Penguin should be a master manipulator, a grandly theatrical criminal, capable of incredible cruelty but never losing his impeccable dapperness. But underneath it all is a deeply insecure little man who still burns with rage at the "slings and arrows of outrageous youth," one who would dearly love to strike back at the "beauty merchants" (as Two-Face called the in FACES) and create a place of peace for people like him.
Because Harvey's insecurity and vanity doesn't run nearly so deep as the Penguin's. And what a tragedy it would be for poor Ozzie, to say those climactic last lines to one of the disfigured men: "You cannot have a normal life! You're a freak! A freak!!!"
And how cutting it would be for him to simply hear, "But I am not a monster."
See? Would've been brilliant. But no, instead you have a story that wastes both Two-Face in a misused role and deprives the Penguin from an unusually fine story. Sigh.
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Date: 2010-01-10 07:49 pm (UTC)no subject
Date: 2010-01-11 05:15 pm (UTC)no subject
Date: 2010-01-11 07:25 pm (UTC)no subject
Date: 2010-01-11 12:17 am (UTC)no subject
Date: 2010-01-11 05:14 pm (UTC)no subject
Date: 2010-01-11 10:01 pm (UTC)Having just watched BATMAN RETURNS, I could see Cobblepot being a very fun nemesis for Wayne. The problem this is of course, that I don't think those older films read like loveletters to the villains. Catwoman is far more interesting a character to me than Batman, even if we try and correct for my general bias toward women who kick ass. They would have to invest a lot more attention to Bruce Wayne to make it even plausible for him to have an nemesis in that scenario.
It would, however, be highly plausible in the context of the Nolan!verse films- hell, they practically did it already in THE DARK KNIGHT. They would just have to up the parody factor a little. I wonder if it would ever get into the script...
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Date: 2010-01-12 06:52 am (UTC)no subject
Date: 2010-09-28 12:01 am (UTC)I admit that Moench trips and stumbles with a lot of the Bat-Villains (ESPECIALLY Joker - Alan Grant writes a funnier Joker than Moench!), but when it comes to the Penguin, Moench's corny dialogue and simplistic plots are a perfect fit.
And I dunno why, but Kelley Jones' dark yet cartoony art also fits Ozzy perfectly. It's like Moench described Pengers back in Batman #400: "Almost a cartoon of a man..."
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Date: 2010-09-28 12:58 am (UTC)Nonetheless, yeah, it is a good story, and worth noting as it has modern Penguin going back to his roots, if only temporarily. That's a story well worth remembering for modern writers, and it deserves a place in the greatest Penguin stories of all time (unlike the lousy Moench/Jones Two-Face story, which WAS included in a recent Two-Face collection, for some reason!).
But it still pales before Ostrander's work, as well as the fantasy Wagner "Faces" with Penguin that exists only in my own head. ;p
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Date: 2010-01-11 07:07 pm (UTC)gotham manipulator
Date: 2014-11-19 12:20 am (UTC)