Has anyone seen THE WICKER MAN? I finally just did. Even though the ending has been spoiled for me numerous times (for which, I have discovered, I am all the poorer), there were a number of reasons I wanted to see it, mainly that it's written by Anthony Shaffer (author of SLEUTH and brother of Peter) and that Christopher Lee still considers it to be one of my favorite roles. Apparently, he liked the role so much, he agreed to do it for free.
It's fascinating to watch him here. This is one of the few roles I've seen Christopher Lee in where he's not playing someone unspeakably evil. He's actually warm and charming! I think my brain broke at the scene where he's in a frilly shirt and bright red kilt, playing piano and smiling like Liberace.
But back to the film itself. I really want to talk about it here, to give it a full-out review, but I really need to bounce some thoughts off other folks. It's a fascinating, subversive, complex little movie, rich with appeal for folks interested in comparative mythology and... stuff. Seriously, it's such an interesting movie. It's suspenseful, but there's no "foreboding" music. Rather, the soundtrack is pretty well all folk songs (who knew THE WICKER MAN was a musical? Not I!). And while it's often categorized as a horror movie, it really isn't, although the ending is rather horrific. And the movie does have its flaws (pretty much every second of Britt Eckland and her butt-double... I'm tempted to include Christopher Lee in drag, but how can that ever be a bad thing?), but I think its rises above them.
And then there's the main character, the "hero." He's not very likable throughout the majority of the film, since he's a repressed, often oppressive, intolerant man who shoves his single-minded version of Christianity in the faces of those filthy, filthy pagans (among the many things that disgust him, he's horrified to learn that the schoolchildren are learning about phallic symbols). And yet, by the end... well, I don't want to say there's a full-on BLADE RUNNER style of role reversal (when the hell did Roy become angelic?!), but I really want to see what other people make of what those characters do and say. I think it's safe to say that this is a fascinating movie of subjectivity, with no clear-cut black or white answer. I'm glad I finally saw it.
It's fascinating to watch him here. This is one of the few roles I've seen Christopher Lee in where he's not playing someone unspeakably evil. He's actually warm and charming! I think my brain broke at the scene where he's in a frilly shirt and bright red kilt, playing piano and smiling like Liberace.
But back to the film itself. I really want to talk about it here, to give it a full-out review, but I really need to bounce some thoughts off other folks. It's a fascinating, subversive, complex little movie, rich with appeal for folks interested in comparative mythology and... stuff. Seriously, it's such an interesting movie. It's suspenseful, but there's no "foreboding" music. Rather, the soundtrack is pretty well all folk songs (who knew THE WICKER MAN was a musical? Not I!). And while it's often categorized as a horror movie, it really isn't, although the ending is rather horrific. And the movie does have its flaws (pretty much every second of Britt Eckland and her butt-double... I'm tempted to include Christopher Lee in drag, but how can that ever be a bad thing?), but I think its rises above them.
And then there's the main character, the "hero." He's not very likable throughout the majority of the film, since he's a repressed, often oppressive, intolerant man who shoves his single-minded version of Christianity in the faces of those filthy, filthy pagans (among the many things that disgust him, he's horrified to learn that the schoolchildren are learning about phallic symbols). And yet, by the end... well, I don't want to say there's a full-on BLADE RUNNER style of role reversal (when the hell did Roy become angelic?!), but I really want to see what other people make of what those characters do and say. I think it's safe to say that this is a fascinating movie of subjectivity, with no clear-cut black or white answer. I'm glad I finally saw it.
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Date: 2006-11-17 05:59 pm (UTC)no subject
Date: 2006-11-17 06:01 pm (UTC)Now I don't think I can bring myself to see the remake, even if it too is written by a playwright, Neil LaBute. Who also gets a lot of cries of misogyny thrown at him, which is strange to hear if you've seen his play FAT PIG...
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Date: 2006-11-17 06:13 pm (UTC)That's a classic film, mandatory for the film literate! Right up there with all the Hammer films of the late sixties and early seventies.
Yes, the ending is absolutely chilling. What a weird, wonderful film.
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Date: 2006-11-17 06:43 pm (UTC)But I can't get into the Hammer movies, I'm afraid. A bit too dry for my horror tastes, although I do mightily respect them. Cushing and Lee are OTP.
Please, please.....
Date: 2006-11-17 07:08 pm (UTC)Blasphemy! Hammer made the BEST trashy-yet-brill films. And by all that is holy, YES, Cushing and Lee are just wonderful actors.
Please, please tell me that you've seen Vincent Price's THEATRE OF BLOOD.
Re: Please, please.....
Date: 2006-11-17 07:12 pm (UTC)Sorry, I just can't get into the trashy flavor of Hammer. Trashy only works for me when there's a sense of humor. And even then, well, I'm not the biggest fan of Troma most times.
THEATRE OF BLOOD has been close to my heart ever since I saw it at five years old. I adore that movie. Adore it so. How can I dislike a Shakespeare-based horror movie with a lisping Vincent Price in an afro killing off theatre critics? BRILLIANCE.
I once had an icon of Price in the 'fro that read "Vincent Price is my Homeboy."
Re: Please, please.....
Date: 2006-11-17 07:27 pm (UTC)You've seen Polanski's REPULSION, right?
Re: Please, please.....
Date: 2006-11-17 07:41 pm (UTC)I almost included TEXAS CHAIN SAW MASSACRE in there as an example of real film artistry, except it's not really a slash movie (even if many wrongly categorize it as such).
No, I have not! Clearly, I must, eh? I'm also on the lookout for Polanski's CUL-DE-SAC, which isn't available here, I don't think. Donald Pleasance-y goodness.
Re: Please, please.....
Date: 2006-11-17 08:32 pm (UTC)Re: Please, please.....
Date: 2006-11-17 08:37 pm (UTC)no subject
Date: 2006-11-17 06:57 pm (UTC)no subject
Date: 2006-11-17 07:02 pm (UTC)What really kills me is the current cut of EXORCIST III. If ever I longed to see the original cut of a movie, it's that. Aside from the obvious moments of studio intervention, it's just an excellent film.
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Date: 2006-11-17 07:06 pm (UTC)no subject
Date: 2006-11-17 07:09 pm (UTC)no subject
Date: 2006-11-17 07:19 pm (UTC)...the awesomeness that is Brad Dourif
Who I have actually never heard of until now.
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Date: 2006-11-17 07:33 pm (UTC)You may know Brad Dourif from one of five things:
Billy Bibbit from ONE FLEW OVER THE CUCKOO'S NEST
Doc from DEADWOOD
The X-Files episode, "Beyond the Sea"
The voice of Chucky the Killer Doll from the CHILD'S PLAY movies
Grima Wormtongue from LORD OF THE RINGS
He was also the physical inspiration for the Joker in THE KILLING JOKE, and my god, how perfect he could have been to play that role.
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Date: 2006-11-17 07:39 pm (UTC)He was also the physical inspiration for the Joker in THE KILLING JOKE, and my god, how perfect he could have been to play that role.
Based on the little I've seen of him, I think you're right.
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Date: 2006-11-17 07:44 pm (UTC)He might be too old for Joker now, but maybe Dark Knight Returns Joker? I could so see that.
He was also in a neat Babylon 5 episode. Chances are he's probably turned up in something else you've seen. He's one of those kinds of actors.
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Date: 2006-11-17 07:51 pm (UTC)I remember that I saw part of Babylon 5 on the Sci-Fi Channel back when they showed reruns of it, but they cancelled it for a second time before I got very interested. So I never saw his episode.
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Date: 2006-11-17 07:56 pm (UTC)B5 is flawed, sure, but I love it so. More than most of Straczynski's comics today, anyway.
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Date: 2006-11-17 08:00 pm (UTC)Now, with his comic writing? Not so great.
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Date: 2006-11-17 08:13 pm (UTC)And yeah, I started rewatching his Ghostbusters cartoons, and wow, they are so good! That first season, man, no wonder I was such an Egon fanboy as a little kid!
Which reminds me, one day I need to make a Vigo Mortensen that reads, "I am Vigo, the Scourge of Carpathia, the sorrow of Moldavia!"
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Date: 2006-11-17 08:25 pm (UTC)From the first season, Mrs. Rogers Neighborhood is my favorite. That's the one where Peter gets possessed by Watt, and nearly opens the containment unit.
Which reminds me, one day I need to make a Vigo Mortensen that reads, "I am Vigo, the Scourge of Carpathia, the sorrow of Moldavia!"
"Bring me the child, that I might live again!"
One of my favorite scenes from that movie is just the list of the ways he was killed. "Just before his head died, he said 'Death is but a door, time is but a window, I'll be back!'"
That, and my other favorite scene is when the Statue of Liberty stomps a police car, and Ray screams "SORRY! MY FAULT!" down to the crowds below.
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Date: 2006-11-17 08:29 pm (UTC)Ghostbusters 2 is so underrated. It's got a real subversive creepiness too, doesn't it? It's a bit unsettling. I love the website i-mockery.com for articles such as this:
http://www.i-mockery.com/minimocks/ghostbusters2/default.php
Also, now I gotta make an icon of Janoz saying, "Why am I drippings with goo?"
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Date: 2006-11-17 08:41 pm (UTC)*hurries to the I-mockery website*
"The angry fur coat then scurries off into the night, never to be seen again. I like to think that if you live in New York and listen closely enough... amidst all of the hustle and bustle of the busy streets, you can sometimes hear the coat still scampering wildly around the city scaring the bejesus out of the pedestrians."
*dies laughing*
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Date: 2006-11-17 09:18 pm (UTC)no subject
Date: 2006-11-17 08:36 pm (UTC)Peter - "So what? This Necronomicon is just a book of magic."
Egon - "That is like saying the atomic bomb is just banging two rocks together."
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Date: 2006-11-18 08:35 am (UTC)