thehefner: (Simpsons: Walt Whitman)
In his retrospective review of the classic Simpsons episode "Dancin' Homer," Nathan Rabin concluded by writing:

“Dancing Homer”, finds our hapless hero once again trying to impress his son. This time he succeeds, though the victory is only temporary. It always is. At the episode’s close, however, Homer has scored the consolation prize that, more often than not, comes with flamboyant, extravagant failure; he may not have succeeded, but he at least got a hell of an anecdote (and the show got a nifty episode) out of his high-profile humiliation.

...

Y'know, Henchgirl has pointed out on many occasions how I'm very Homer,* but man... it's crazy how that pretty much sums up my entire creative outlook as an autobiographical solo performer.





*Homer, plus Sokka from Avatar: The Last Airbender, and healthy amounts of Phillip J. Fry. This has led to her to nicknaming me "HomerSokkaFry," which sounds like the best fraternity ever.
thehefner: (Simpsons: Walt Whitman)
GOOD WILL HUNTING simulator. Best movie-to-game ever?

This is probably the best chance as any to finally use this gif:





In similar news, Nathan Rabin--the very best writer on The AV Club--has decided to review every SIMPSONS episode ever, starting with the Christmas pilot. I'd long ago written that pilot off with the first season as nearly unwatchable, a rough curiosity at best but more notable for who it offended than any quality itself. But Rabin makes an extremely compelling and eloquent analysis for "Simpsons Roasting on an Open Fire," an episode I haven't seen in about ten years but remember vividly:

"The Simpsons Roasting on an Open Fire" derives much of its pathos and humor from Homer’s thwarted attempts to be a good provider. Homer can’t afford a tree so he steals one from a lot. He’s humiliated by the indignity of life as an easily-agitated Santa impersonator, especially when he learns that after costume, training and Christmas fund charges he’s netted exactly thirteen dollars for his labors. There’s a heartbreaking moment when Homer looks at neighbor Ned Flanders’ elaborate Christmas display—a gaudy exercise in empty spectacle that seems to mock Homer's poverty—and simply hangs his head in shame.

Being a Christmas special, albeit of the warped variety, the first full-length episode of The Simpsons is unusually sentimental and nakedly emotional. At one point Homer tells Bart, “Sometimes your faith is all that keeps me going.” It’s a line at once jarring and deeply powerful, jarring because subsequent episodes suggest Bart has no faith, in his father or anything else, and deeply powerful because it’s so incongruously tender and vulnerable and sad.


Early on, Rabin recounts how he made Matt Groening deeply uncomfortable by admitting how THE SIMPSONS "had brought more joy and happiness into my life than anything else." What's weird is, pound for pound, when you consider just how much influence that show has had into pop culture as a whole, not to mention the years and years and years of quote-sharing and rousing renditions of "See My Vest"... I think that might hold true for me as well. THE SIMPSONS was one of the few constant joys for me during my darkest pre-teen, teenage, and college years.

When my old pal [livejournal.com profile] berkolounger--who I'm still waiting to see finally explode as a bold new talent in comics--did a web(tragi)comic about two brothers who can only communicate through SIMPSONS quotes, it definitely hit some personal notes, and I know I'm not the only one who feels that way.

It seems strange, perhaps even a little sad to consider this, but I literally cannot imagine the kind of person I'd be if that show hadn't shaped my outlook and sense of humor (along with LOONEY TUNES, Mel Brooks, the Zucker Bros, and FREAKAZOID).

...

Oh hell, one more SIMPSONS gif that I won't be able to use anywhere else!


thehefner: (Watchmen Babies: V For Vacation)
Did anyone else see THE SIMPSONS last night? I kept wondering what this strange sensation was that I was feeling throughout the episode. Was it... my god, I... I think it was laughter. Why yes, I dare say it was! Not a lot, not like in the old days, but the parody of THE DEPARTED actually had more than a few chuckles. What a feeling!

But the real kicker was the ending, the absolute perfect moment, where the rat runs along the screen ala THE DEPARTED, and Ralph Wiggum pops out of a trash can to helpfully announce, "The rat is symbolic for obviousness!"

I laughed for a full minute straight.



Movie Trailers of Note:

Am I wrong, or does this trailer for GET SMART actually not suck total ass?

New IRON MAN trailer. Aaaaaaand there go my nipples again.



And finally, a very happy birthday to the fantastically talented and pitifully ill [livejournal.com profile] aeonata!
thehefner: (Simpsons: ...Comic Books?)
GOD-FUCKING-DAMMIT!!!

I go on one date last night, shunning the usually-abysmal Sunday night Fox line-up, and what oh what do I miss??



I WILL NEVER GO OUT ON A DATE AGAIN.

Oh who am I kidding, I want to meet a girl whose purse is a lunchbox.

Although Lisa identifying with the GHOST WORLD girls? She's alienated, but she's also still idealistic and isn't a selfish jerk. But thankfully, all of that was forgotten by the time we got to "Watchmen Babies: V for Vacation" and "Maus is in the Haus!"

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