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thehefnerIn the first Two-Face Tuesday post since Fresno three weeks ago, I've posted what I consider to be the definitive Harvey Dent story, my gold standard for everything related to this character up at ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
about_faces.
I strongly resisted the urge to just post the whole damn thing here too. Besides being my favorite Two-Face comic, it's just plain one of my favorite comics period, Batman or otherwise. If you haven't read it, I urge you to check it out.
As a side note, I'm really pleased with the edit I did for the scanning. I cut out an entire subplot (which is honestly the weakest part of the whole story), and the result is even leaner and tighter than the actual issue.
In other (more general) comic news, Comics Alliance has a fascinating interview with Greg Rucka. Normally I hate interviews because they're all full of pabalum and bullshit, especially in an industry where everyone is so afraid to speak their minds or discuss comics critically in any way but to boost sales. Rucka's is a breath of fresh air on a number of front, from how he talks about Wonder Woman...
Diana – there are people who hate her. I mean, they just hate the concept of a Wonder Woman. They really do. You've seen – I don't even want to call it "fan-based art" – but I'm sure everybody's seen the various images out there. That speaks to something going on. Somebody is real scared of her. He's really afraid of her. And I don't know why. I don't understand where that comes from. So there's that. And people want to simplify her, so they go, she's Superman with tits. Well, no. She's not. It's a completely different background...
... to the ever-present problem of dwindling readership in comics and what should be done about it:
I'd put comics back in the spinner racks and 7-Elevens and grocery stores and Walmart. That's what's killing us. I was talking to Dan DiDio today -- the best-selling Marvel or DC book today is going to sell a quarter of a million. That's nothing, guys. That's nothing. If a TV show has a quarter of a million people watching it, it would not make it through the second episode. It might not even make it through it's first broadcast. I'm serious. I'm not joking.
Look at manga -- it has millions of readers. Europeans comics, in the millions. What the hell is going on in this country with our comics that we can't break out?
I'd sorta fallen out of love with Rucka's with stuff like OMAC PROJECT, but this interview--coupled with his recent work--has reminded me just how much of a loss it is that he's leaving DC for the foreseeable future. And not just because I want my Renee Montoya and Two-Face reunion/rematch, damn it!
about_faces. I strongly resisted the urge to just post the whole damn thing here too. Besides being my favorite Two-Face comic, it's just plain one of my favorite comics period, Batman or otherwise. If you haven't read it, I urge you to check it out.
As a side note, I'm really pleased with the edit I did for the scanning. I cut out an entire subplot (which is honestly the weakest part of the whole story), and the result is even leaner and tighter than the actual issue.
In other (more general) comic news, Comics Alliance has a fascinating interview with Greg Rucka. Normally I hate interviews because they're all full of pabalum and bullshit, especially in an industry where everyone is so afraid to speak their minds or discuss comics critically in any way but to boost sales. Rucka's is a breath of fresh air on a number of front, from how he talks about Wonder Woman...
Diana – there are people who hate her. I mean, they just hate the concept of a Wonder Woman. They really do. You've seen – I don't even want to call it "fan-based art" – but I'm sure everybody's seen the various images out there. That speaks to something going on. Somebody is real scared of her. He's really afraid of her. And I don't know why. I don't understand where that comes from. So there's that. And people want to simplify her, so they go, she's Superman with tits. Well, no. She's not. It's a completely different background...
... to the ever-present problem of dwindling readership in comics and what should be done about it:
I'd put comics back in the spinner racks and 7-Elevens and grocery stores and Walmart. That's what's killing us. I was talking to Dan DiDio today -- the best-selling Marvel or DC book today is going to sell a quarter of a million. That's nothing, guys. That's nothing. If a TV show has a quarter of a million people watching it, it would not make it through the second episode. It might not even make it through it's first broadcast. I'm serious. I'm not joking.
Look at manga -- it has millions of readers. Europeans comics, in the millions. What the hell is going on in this country with our comics that we can't break out?
I'd sorta fallen out of love with Rucka's with stuff like OMAC PROJECT, but this interview--coupled with his recent work--has reminded me just how much of a loss it is that he's leaving DC for the foreseeable future. And not just because I want my Renee Montoya and Two-Face reunion/rematch, damn it!
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no subject
Date: 2010-04-07 02:23 am (UTC)Now juxtapose that with Greg Rucka's remark. Suppose he's right; 250k buyers of the bestseller. If there's ten times that audience for all comics in general, 40% of them would have to be into comics fetish, including the violent stuff.
Again, you might be right - but it seems a bit much, based on my Fermian analysis.
Re: portrayal - isn't WW supposed to be an emissary, feminist figure from her people? Not a sex vamp, though she's drawn that way. I don't know deep details of Marston's depiction, but that's generally what I've seen in all the comics I've happened to read. I find it hard to believe that women in general were all made out as overt sex kittens (the 90s notwithstanding).
no subject
Date: 2010-04-07 02:40 am (UTC)Seems UNDERreported to me, considering that at least a certain portion of this figure necessarily relies upon consumers admitting to the full extent of their porn purchasing habits.
I'm talking about just the ones who fetishize comic books enough to spend money on it.
This assumes that all comic book porn is produced on a pay-per-pussy-shot basis, when in point of fact, a great deal of it is produced, if not for free, then at least on a promotional basis for the for-pay stuff. Plus, on online comms like WWOEC, fan artists will frequently "pay" one another in the form of "art trades," each doing porn pieces to the other's requests, in lieu of actual cash.
Re: portrayal - isn't WW supposed to be an emissary, feminist figure from her people?
How is that in any way contrary to her having a healthy, active and even *gasp!* raunchy sex life in private?
I don't know deep details of Marston's depiction [...]
Then you really don't know Wonder Woman, because Marston's conception of her, all the way back in the WWII era, was as an OVERT bondage queen, who EXPLICITLY PREACHED sexual submission (among both genders, no less) as a means of achieving universal peace.